tag:blogger.com,1999:blog-25362686092270094182012-01-16T11:33:02.217+02:00Counterpoint & PolyphonyFughettahttp://www.blogger.com/profile/08930347538254743027noreply@blogger.comBlogger1261100tag:blogger.com,1999:blog-2536268609227009418.post-61650048003413638202011-09-07T08:39:00.004+03:002011-09-07T08:47:04.299+03:00 MUSIC IN THE BAROQUE ERA - MANFRED BUKOFZER DOWNLOAD : 30,0 MB Codonautanoreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-68077437909938260082011-05-16T07:17:00.002+03:002011-05-16T07:24:22.868+03:00Convertible Counterpoint in Strict Style -Serge Ivanovitch TaneyevDOWNLOAD: 9,3 MBCodonautanoreply@blogger.com1tag:blogger.com,1999:blog-2536268609227009418.post-29062610646394522802011-04-27T01:57:00.006+03:002011-04-27T02:04:59.689+03:00JS Bach's Great Eighteen Organ Chorales - Russel StinsonDOWNLOAD - 12,7 MBCodonautanoreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-51188926390156331722011-02-19T07:45:00.004+02:002011-02-19T07:51:11.208+02:00J. S. BachAlbert Schweitzer - volume 1DOWNLOAD - 34,4 MBCodonautanoreply@blogger.com1tag:blogger.com,1999:blog-2536268609227009418.post-45702890555027228792011-01-03T06:10:00.003+02:002011-01-03T06:15:14.186+02:00The Keyboard Music of J.S. Bach - David SchulenbergDownload- 7,2 MB Codonautanoreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-17871351740152222222011-01-03T05:57:00.006+02:002011-01-03T06:06:47.414+02:00An Introducion to Bach Studies - Daniel Melamed, Michael Marissen DOWNLOAD - 7,5 MBCodonautanoreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-32048679078681426692010-12-20T17:37:00.000+02:002010-12-20T17:37:32.249+02:00Овсянкина Г.П. Фортепианные сонаты Б.Тищенко / Исследовательский очерк
М.: Изд-во РАМ им.Гнесиных, 2001 - 154 с., ил., нот.ил.
Данное исследование является первым аналитическим обобщением фортепианных сонат Б.И. Тищенко, каждая из которых рассматривается в контексте эволюции творчества композитора и как самобытное претворение традиций школы Д.Д. Шостаковича. Исследовательский очерк адресован музыковедам, пианистам-исполнителям и педагогам, композиторам, а также Fughettahttp://www.blogger.com/profile/08930347538254743027noreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-60573916167196472752010-12-20T17:30:00.001+02:002010-12-20T17:31:56.885+02:00Овсянкина Г.П. Фортепианный цикл в отечественной музыке второй половины ХХ века: школа Д.Д. Шостаковича
Монография: В 2-х кн.- СПб.: Композитор * Санкт-Петербург, 2003.
Монография содержит обширный материал, посвященный жанровому разнообразию фортепианных циклов в творчестве О.А. Евлахова, Г.В. Свиридова, Г.Г. Окунева, Б.А. Чайковского, Г.И. Уствольской, Б.И. Тищенко, Г.Г. Белова, В.Л. Наговицина и В.А. Успенского. Они рассматриваются в контексте эволюции школы Д.Д. Шостаковича - крупнейшего Fughettahttp://www.blogger.com/profile/08930347538254743027noreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-76197912440989671512010-12-05T00:24:00.000+02:002010-12-05T00:24:42.824+02:00Riemann Hugo. Analysis of J.S. Bach's Wohltemperirtes Clavier (48 preludes & fugues)
Augener, London, 190?, 204p.
DOWNLOAD 6 MB
Fughettahttp://www.blogger.com/profile/08930347538254743027noreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-36353221983094863492010-12-05T00:12:00.000+02:002010-12-05T00:12:57.589+02:00Riemann Hugo. Text-book of simple and double counterpoint including imitation or canon
Breitkopf & Härtel, 1904, 216 p.
DOWNLOAD 6,94 MBFughettahttp://www.blogger.com/profile/08930347538254743027noreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-32527386022245158082010-12-05T00:02:00.000+02:002010-12-05T00:02:08.151+02:00Jadassohn Salomon. Manual of Single, Double, Triple & Quadruple Counterpoint
Schirmer, 1897, 133p.
DOWNLOAD 4,9 MBFughettahttp://www.blogger.com/profile/08930347538254743027noreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-89457788456443056712010-12-04T23:47:00.000+02:002010-12-04T23:47:15.670+02:00Book of Exercises to Accompany E. Friedrich Richter's Manual of Simple and Double Counterpoint: Prepared by Alfred RichterO.SCHIRMER, 1888, 73 p.
DOWNLOAD 2,16 MBFughettahttp://www.blogger.com/profile/08930347538254743027noreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-11244665215913914332010-12-04T23:36:00.000+02:002010-12-04T23:36:12.667+02:00Richter Ernst Friedrich. Manual of Simple and Double CounterpointG. Schirmer, 1884, 172p.
DOWNLOAD 4,79 MBFughettahttp://www.blogger.com/profile/08930347538254743027noreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-86587749170168979612010-12-04T23:28:00.000+02:002010-12-04T23:28:26.428+02:00Richter Ernst Friedrich. Treatise on counterpointDitson & Co., 1878, 169 p.DOWNLOAD 5,86 MBFughettahttp://www.blogger.com/profile/08930347538254743027noreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-9288828068790976342010-11-25T14:59:00.000+02:002010-11-25T14:59:43.316+02:00Танеев С.И. Учение о каноне
Москва, 1929, 103 с.
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Berlin SW., 1877, 235 p.
DOWNLOAD 6,15 MBFughettahttp://www.blogger.com/profile/08930347538254743027noreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-59266088119108253562010-11-25T11:45:00.001+02:002010-11-25T11:46:54.381+02:00Bellermann Heinrich. Der Contrapunkt
Berlin, Verlag von Julius Springer, 4th ed., 1901, 516 pp.DOWNLOAD 15,3 MB (djvu)Fughettahttp://www.blogger.com/profile/08930347538254743027noreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-52819250105849876952010-11-13T21:12:00.000+02:002010-11-13T21:12:24.651+02:00Dehn Siegfried Wilhelm. Lehre vom Contrapunkt, Canon und FugeBerlin, 1859DOWNLOAD 9,13 MBFughettahttp://www.blogger.com/profile/08930347538254743027noreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-78752621964969660882010-11-13T21:11:00.000+02:002010-11-13T21:11:47.660+02:00Cherubini Luigi. A course of counterpoint and fugue, V.1translated by James Alexander HamiltonLondon, 1841DOWNLOAD 9,4 MBFughettahttp://www.blogger.com/profile/08930347538254743027noreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-40331919810603243862010-11-13T19:19:00.002+02:002010-11-13T19:26:15.777+02:00Albrechtsberger, Johann Georg. Gründliche Anweisung zur CompositionBreitkopf, Leipzig 1790, 440 р.
DOWNLOAD 86,6 MBFughettahttp://www.blogger.com/profile/08930347538254743027noreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-74248913954425469282010-09-05T10:13:00.004+03:002010-09-05T22:05:50.786+03:00Counterpoint - Kent KennanDOWNLOAD - 12,6 MBCodonautanoreply@blogger.com2tag:blogger.com,1999:blog-2536268609227009418.post-36151913158149374422010-09-05T09:38:00.002+03:002010-09-05T22:08:02.737+03:00Bach's Dialogue with the Modernity- Perpectives on the Passions -John ButtDOWNLOAD - 1,6 MBCodonautanoreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-25128344703035636252010-09-05T09:23:00.008+03:002010-09-05T09:37:23.169+03:00Aspects of Unity in J S Bach's Partitas and Suites - An Analytical Study -David BeachDOWNLOAD: 1,4MBCodonautanoreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-47800384929673978892010-09-05T09:07:00.005+03:002010-09-05T09:21:17.282+03:00Bach's Well-Tempered Clavier - The 48 Preludes and Fugues - David Ledbetter DOWNLOAD - 5,5 MBCodonautanoreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-54692496938564830162010-09-05T08:50:00.012+03:002011-01-23T22:33:38.937+02:00Bach and the High Baroque - Part 1Robert Greenberg DOWNLOAD: 19,7 MB.Bach and the High Baroque - Part 1 - R. GreenbergThe 32 lectures ( mp3)DOWNLOAD: 595 MBCodonautanoreply@blogger.com1tag:blogger.com,1999:blog-2536268609227009418.post-68614665003035092592010-08-01T20:29:00.002+03:002010-08-01T20:37:12.063+03:00Humphrey Searle. Twentieth century counterpoint: a guide for students
Benn, 1954, p.158
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Boosey and Hawkes, 1958, p.44
DOWNLOAD 2,4 mbFughettahttp://www.blogger.com/profile/08930347538254743027noreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-8211270004774168692010-08-01T18:38:00.000+03:002010-08-01T18:38:45.602+03:00Barbara Owen. The Organ Music of Johannes Brahms
Publisher: Oxford University Press, 2007, p. 208, PDF
Influenced by Robert and Clara Schumann and Joseph Joachim, Johannes Brahms not only learned to play the organ at the beginning of his career, but also wrote significant compositions for the instrument as a result of his early counterpoint study. He composed for the organ only sporadically or as part of larger choral and instrumental Fughettahttp://www.blogger.com/profile/08930347538254743027noreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-66532180836437215072010-08-01T17:04:00.001+03:002010-08-01T17:05:51.259+03:00Dennis Shrock. Choral repertoire
Oxford University Press US, 2009, 787 p.
Choral Repertoire is the definitive and comprehensive one-volume presentation of the canon of the Western choral tradition. Designed for practicing conductors and directors, students and teachers of choral music, amateur and professional singers, scholars, and interested vocal enthusiasts, it is an account of the complete choral output of the most Fughettahttp://www.blogger.com/profile/08930347538254743027noreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-68007146553218942162010-07-24T06:39:00.004+03:002010-08-01T17:14:50.738+03:00Analyzing Bach Cantatas - Eric Thomas Chafe
DOWNLOAD - 18,5 MBCodonautanoreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-5536228301587368452010-07-24T06:25:00.005+03:002010-07-24T06:34:40.864+03:00The Creative Development of Johann Sebastian Bach - vol I - 1695-1717 - Richard P. Jones - OxfordDOWNLOAD - 3,6 MBCodonautanoreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-23764464370003763122010-07-24T06:13:00.004+03:002010-07-24T06:19:02.418+03:00Bach: The Goldberg Variations(Cambridge Music Handbooks) -Peter WilliamsDOWNLOAD - 3,27 MBCodonautanoreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-26378399820358331952010-07-12T03:03:00.004+03:002010-07-12T12:07:07.420+03:00New Oxford History of Music - Volume II- Early Medieval Music to 1300
The number 2 of the 11 volumes of the New Oxford History of Music. 480 pagesDOWNLOAD - 32,4 MB
Codonautanoreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-41801197726212889732010-07-11T23:25:00.013+03:002011-02-13T06:22:04.102+02:00КШИШТОФ ПЕНДЕРЕЦКИЙ: Самое худшее в искусстве – это вранье (Харьков, 4-6.06.10)
Не скрою, были сомнения, стоит ли размещать здесь этот материал, но теперь, спустя некоторое время, вижу, что есть такая необходимость. Ведь творчество Пендерецкого неизменно является объектом повышенного внимания. Одни презрительно пожимают плечами, другие защищают диссертации по его мировоззрению, но равнодушных нет, - и это поневоле заставляет задуматься. Тем дороже сотен исследований в Fughettahttp://www.blogger.com/profile/08930347538254743027noreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-61965396451341246952010-07-09T14:52:00.001+03:002010-07-09T14:53:45.055+03:00Чеботарян Гаянэ. Хрестоматия по полифонии
Ереван, 1982. - 264 с.
download 10 mbFughettahttp://www.blogger.com/profile/08930347538254743027noreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-67509946373007639012010-07-04T06:36:00.007+03:002010-09-01T20:58:21.442+03:00Tonal Harmony: With an Introduction to Twentieth-Century Music,Stefan Kostka , Dorothy Payne
(third edition)
Textbook: DOWNLOAD - 29,4 MBWorkbook: DOWNLOAD - 96,2 MBCodonautanoreply@blogger.com2tag:blogger.com,1999:blog-2536268609227009418.post-71994525765104811162010-06-26T02:38:00.004+03:002010-07-12T20:31:04.701+03:00Contrapunto - Diether de la MotteThe Counterpoint book by Diether de la Motte. 420 pagesText in SpanishDOWNLOAD - 52 MBCodonautanoreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-51901865405527980652010-06-19T09:35:00.007+03:002010-06-26T02:36:45.039+03:00On Playing the Flute -Johann Joachim QuantzJohann Joachim Quantz's On Playing Flute, first published in both German and French editions in 1752, has long been recognized as one of the most significant and in-depth treatises on eighteenth-century musical thought, performance practice, and style. This classic text of Baroque music instruction goes far beyond an introduction to flute methods by Codonautanoreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-50395312753035449762010-06-19T08:59:00.008+03:002010-06-19T15:23:43.186+03:00 Counterpoint and Fugue - Luigi Cherubini
DOWNLOAD - 13,3 MB
Codonautanoreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-66434545449521402292010-06-14T03:04:00.003+03:002010-06-14T09:05:55.418+03:00Principles of Orchestration - Nicolas Rimsky-Korsakow
DOWNLOAD - 38,2 MBCodonautanoreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-52065144082371449032010-06-14T02:57:00.004+03:002010-06-14T09:08:13.902+03:00A Treatise upon Modern Instrumention and Orchestration - Hector Berlioz
DOWNLOAD - 18,6 MBCodonautanoreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-86608190786328881532010-06-14T02:44:00.005+03:002010-06-14T09:10:33.168+03:00The Technique of the Modern Orchestra - A Manual of Practical Instrumention - Charles-Marie Widor
DOWNLOAD - 15,6 MBCodonautanoreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-17031753438485587572010-06-12T03:06:00.004+03:002010-06-12T10:48:44.223+03:00 Principles of Composition - Jean-Philippe RameauFrom the Treatise on Harmony
The Book three of the Treatise on Harmony, by Jean-Philippe Rameau. Facsimile of the second Edition published in Dublin in 1779, with text in English.
DOWNLOAD - 6,5 MBCodonautanoreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-421149731379378912010-06-12T02:53:00.006+03:002010-06-14T02:40:26.591+03:00Traité de L´Harmonie - Reduite à fes Principes naturelsJean-Philippe RameauTreatise on Harmony - Jean-Philippe Rameau Facsimile of the original first edicion, with text in French. It includes the four books.DOWNLOAD - 29,9 MBCodonautanoreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-18839621980112334002010-06-11T03:53:00.005+03:002010-06-14T02:43:26.420+03:00The Study of Orchestration - Samuel Adler- 2nd editionDOWNLOAD - 123 MBCodonautanoreply@blogger.com1tag:blogger.com,1999:blog-2536268609227009418.post-1987304294251193512010-06-11T03:04:00.006+03:002010-06-11T03:25:21.357+03:00Practical Manual of Harmony - Nicolai Rimsky-Korsakov ( in Spanish ) DOWNLOAD - 13,7 MB Codonautanoreply@blogger.com1tag:blogger.com,1999:blog-2536268609227009418.post-69756420251757336612010-06-10T02:54:00.004+03:002010-06-10T03:01:33.612+03:00Harmony Simplified or the Theory of the Tonal Functions of the Chords -Hugo Riemann - Second EditionDOWNLOAD - 14,6 MBCodonautanoreply@blogger.com2tag:blogger.com,1999:blog-2536268609227009418.post-31525452702369192702010-06-09T03:40:00.014+03:002010-06-10T03:18:43.044+03:00 New Grove Dictionary of Music and Musicians Download - 188 MBCodonautanoreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-84635660942305579882010-06-09T03:25:00.009+03:002010-06-12T01:31:09.867+03:00Theodore Baker - A Dictionary of Musical Terms - 8th EditionDownload - 9,2 MBCodonautanoreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-85816100391640097362010-06-09T03:02:00.011+03:002010-06-10T03:11:09.134+03:00Peter Ilyitch Tchaikovsky -Guide to the Practical Study of Harmony DOWNLOAD - 6,3 MBCodonautanoreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-51409698432099961062009-11-15T11:52:00.000+02:002009-11-15T11:52:17.594+02:00James Grier. The musical world of a medieval monk: Adémar de Chabannes in eleventh-century Aquitaine
Cambridge University Press, 2006, 367p.
James Grier documents the musical activities of Adémar de Chabannes, eleventh-century monk, historian, homilist and tireless polemicist for the apostolic status of Saint Martial, patron saint of the abbey that bore his name in Limoges. Adémar left behind some 451 folios of music with notation in his autograph hand, a musical resource without equal before Fughettahttp://www.blogger.com/profile/08930347538254743027noreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-30844937959836741232009-11-15T11:38:00.000+02:002009-11-15T11:38:32.856+02:00Susan Mc Clary. Modal subjectivities: self-fashioning in the Italian madrigal
University of California Press, 2004, 374p.
Modal Subjectivities covers the span of the sixteenth-century polyphonic madrigal, from its early manifestations in Philippe Verdelot's settings of Machiavelli in the 1520s through the tortured chromatic experiments of Carlo Gesualdo. Although McClary takes the lyrics into account in shaping her readings, she focuses particularly on the details of theFughettahttp://www.blogger.com/profile/08930347538254743027noreply@blogger.com1tag:blogger.com,1999:blog-2536268609227009418.post-16572881372722441832009-11-15T11:05:00.000+02:002009-11-15T11:05:22.550+02:00John Gray Landels. Music in ancient Greece and Rome
Routledge, 1999, 296p.
Music in Ancient Greece and Romeis a comprehensive introduction to the study of music from Homeric times to the Roman emperor Trajan. John G. Landels offers the first scholarly overview of the practical and performance elements of music, rather than the moral and aesthetic discussion typified by the works of Plato. Illustrated with transcriptions of surviving musical Fughettahttp://www.blogger.com/profile/08930347538254743027noreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-34877038932041877732009-11-15T10:56:00.000+02:002009-11-15T10:56:46.029+02:00Flora R. Levin. Greek Reflections on the Nature of Music
Cambridge University Press, 2009, 340p.
In this book, Flora Levin explores how and why music was so important to the ancient Greeks. She examines the distinctions that they drew between the theory of music as an art ruled by number and the theory wherein number is held to be ruled by the art of music. These perspectives generated more expansive theories, particularly the idea that the cosmos isFughettahttp://www.blogger.com/profile/08930347538254743027noreply@blogger.com1tag:blogger.com,1999:blog-2536268609227009418.post-22367216758836242792009-11-15T10:31:00.001+02:002009-11-15T17:12:07.768+02:00Andrew Barker. The science of harmonics in Classical Greece
Cambridge University Press, 2007, 481p.
The ancient science of harmonics investigates the arrangements of pitched sounds which form the basis of musical melody, and the principles which govern them. It was the most important branch of Greek musical theory, studied by philosophers, mathematicians and astronomers as well as by musical specialists. This book examines its development during the Fughettahttp://www.blogger.com/profile/08930347538254743027noreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-78924139803952389412009-11-12T11:52:00.000+02:002009-11-12T11:52:57.673+02:00Willi Apel. Harvard dictionary of music
Harvard University Press, 1969, 965p.
A classic and invaluable reference work for over thirty years. Soon after its initial publication, the Harvard Dictionary of Music by Willi Apel was firmly established as a standard and essential resource for everyone concerned with music. The product of exceptional scholarship, it was praised as being comprehensive, concise, authoritative, scholarly, and Fughettahttp://www.blogger.com/profile/08930347538254743027noreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-41239746733429450182009-11-12T11:41:00.000+02:002009-11-12T11:41:15.874+02:00Willi Apel. The notation of polyphonic music, 900-1600
Mediaeval Academy of America, 1961,464p.
DOWNLOAD 55MB
Fughettahttp://www.blogger.com/profile/08930347538254743027noreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-31629555649606635102009-11-12T09:02:00.000+02:002009-11-12T09:02:51.913+02:00Heinrich Schenker,Oswald Jonas. Harmony
University of Chicago Press, 1980, 394p.
Harmony, Heinrich Schenker's first published work, originally appeared in German in 1906 as "New Musical Theories and Phantasies, by an Artist." Its unusual title indicates what was to be the rationale of Schenker's lifework, that artistic problems call for artistic solutions. Schenker's dedication to the formulation of a complete musical theory above Fughettahttp://www.blogger.com/profile/08930347538254743027noreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-61320427191734290662009-11-12T00:21:00.001+02:002009-11-13T09:20:14.935+02:00Felix Salzer. Structural hearing: tonal coherence in music, v v.1-2
Courier Dover Publications, 1962.
Extends the Schenker method to modern, medieval, renaissance music. Tonal organization, analyzes over 500 pieces, connects theory and composition.
volume 1
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volume 2
DOWNLOAD 48MB
Fughettahttp://www.blogger.com/profile/08930347538254743027noreply@blogger.com3tag:blogger.com,1999:blog-2536268609227009418.post-69254595288976806042009-11-11T23:58:00.001+02:002009-11-13T09:16:17.276+02:00Edward Aldwell,Carl Schachter. Harmony and voice leading, v v.1-2
Thomson/Schirmer, 2003, 656p.
DOWNLOAD 36MB
Fughettahttp://www.blogger.com/profile/08930347538254743027noreply@blogger.com4tag:blogger.com,1999:blog-2536268609227009418.post-11624805699100242092009-11-11T23:08:00.001+02:002009-11-13T13:05:17.896+02:00Arnold Schoenberg,Leonard Stein. Structural functions of harmony
W. W. Norton, 1969, 203p.
This book is Schoenberg's last completed theoretical work and represents his final thoughts on the subject of classical and romantic harmony. The earlier chapters recapitulate in condensed form the principles laid down in his 'Theory of Harmony'; the later chapters break entirely new ground, for they analyze the system of key relationships within the structure of wholeFughettahttp://www.blogger.com/profile/08930347538254743027noreply@blogger.com2tag:blogger.com,1999:blog-2536268609227009418.post-69169769375111902592009-11-11T22:53:00.000+02:002009-11-11T22:53:45.947+02:00Arnold Schoenberg. Theory of Harmony
Faber And Faber, 1988, 440p.
This book will come as a joy, a revelation, a warm reassurance. From this one book one might well learn less about harmony than about form, about aesthetics, even about life. Some will accuse Schoenberg of not concentrating on the topic at hand, but such an accusation, though well-founded, would miss the point of Theory of Harmony, because the heart and soul of theFughettahttp://www.blogger.com/profile/08930347538254743027noreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-89119067820469152482009-11-11T22:29:00.001+02:002010-08-01T20:34:49.088+03:00Reginald Smith Brindle. Serial Composition
Oxford University Press, 1966, 210p.
This introductory text for students covers all the most important aspects of serial composition, including full discussion of such topics as melody writing, twelve-note harmony, polyphonic writing, forms, stylistic factors, avant-garde techniques, and free twelve-note composition. The author's intention is to avoid a pedantic exposition of serial principles Fughettahttp://www.blogger.com/profile/08930347538254743027noreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-600394725030765932009-11-11T21:33:00.002+02:002009-11-11T21:35:17.744+02:00Sarah L. Higley. Hildegard of Bingen’s Unknown Language: An Edition, Translation, and Discussion
New York : Palgrave Macmillan (The New Middle Ages), 2007, 264pp.
The Lingua Ignota, "brought forth" by the twelfth-century German nun Hildegard of Bingen, provides 1012 neologisms for praise of Church and new expression of the things of her world. Noting her visionary metaphors, her music, and various medieval linguistic philosophies, Higley examines how the "Unknown Language" makes arid Fughettahttp://www.blogger.com/profile/08930347538254743027noreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-5847192643725616602009-11-11T21:15:00.001+02:002009-11-11T21:36:07.844+02:00Suzanne Lord. Music in the Middle Ages: a reference guide
Greenwood Press, 2008, pp.204
Contents
A Word About Collections -- Ch. 1. The Middle Ages: General Background -- Ch. 2. The Early Middle Ages and Church Music -- Ch. 3. The Music of France in the Middle Ages -- Ch. 4. The Music of the Italian States in the Middle Ages -- Ch. 5. Music of the Germanic Lands -- Ch. 6. Music of the British Isles in the Middle Ages -- Ch. 7. Music of the Iberian Fughettahttp://www.blogger.com/profile/08930347538254743027noreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-52300699474171823662009-10-27T12:52:00.000+02:002009-10-27T12:52:03.701+02:00Julie E. Cumming. The Motet in the Age of Du Fay
Cambridge: Cambridge University Press, 1999. - 418 pp.
During the lifetime of Guillaume Du Fay (c. 1400–1474) the motet underwent a profound transformation. Because of the protean nature of the motet during this period, problems of definition have always stood in the way of a full understanding of this crucial shift. Through a comprehensive survey of the surviving repertory, Julie Cumming Fughettahttp://www.blogger.com/profile/08930347538254743027noreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-75350138441973120242009-10-27T12:42:00.000+02:002009-10-27T12:42:33.822+02:00S. Levarie. Guillaume de Machaut
edited by John J. Baker, pp. 3-36. New York: Da Capo Press, 1969. - 114p.
Siegmund Levarie is both a practicing musician and a musicologist, a dual role which accounts for his performing Machaut's Mass at the University o Chicago in 1951 and his writing about the work and the composer two years later. Levarie's performances of Machaut's works (including many secular songs) with his Collegium Fughettahttp://www.blogger.com/profile/08930347538254743027noreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-52608494203779405052009-10-27T12:10:00.000+02:002009-10-27T12:10:13.501+02:00Перриш К., Оуэл Д. Образцы музыкальных форм от григорианского хорала до Баха
Л.:Музыка, 1975.- 176с.
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Fughettahttp://www.blogger.com/profile/08930347538254743027noreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-66805559551276875542009-10-27T12:01:00.000+02:002009-10-27T12:01:20.257+02:00John Haines. Eight Centuries of Troubadours and Trouvères: The Changing Identity of Medieval Music
Cambridge: Cambridge University Press, 2004. - 347pp.
This book traces the changing interpretation of troubadour and trouvère music, a repertoire of songs which have successfully maintained public interest for eight centuries, from the medieval chansonniers to contemporary rap renditions. A study of their reception therefore serves to illustrate the development of the modern concept of 'Fughettahttp://www.blogger.com/profile/08930347538254743027noreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-28990914547379214492009-10-27T11:46:00.000+02:002009-10-27T11:46:35.322+02:00Leo Treitler. With Voice and Pen: Coming to Know Medieval Song and How It Was Made
New York: Oxford University Press, 2003. - 506 p.
This is a book by arguably the most influential North-American musicologist of the late twentieth century on the Middle Ages, Leo Treitler. We encounter here the celebrated trademarks of Treitler's prose: dense, thought-riddled sentences which pull the reader into a startling juxtaposition of medieval detail and contemporary, sometimes personalFughettahttp://www.blogger.com/profile/08930347538254743027noreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-35335343467031211672009-10-25T21:26:00.000+02:002009-10-25T21:26:25.764+02:00Malcolm Boyd. Bach
Oxford University Press US, 2006. - 320pp.
As well as presenting a rounded picture of Bach, his music, and his posthumous reputation and influence, Malcolm Boyd considers the sometimes controversial topics of "parody" and arrangement, number symbolism, and the style and meaning of Bach's late works. Recent theories on the constitution of Bach's performing forces at Leipzig are also present. Fughettahttp://www.blogger.com/profile/08930347538254743027noreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-16121327472067671012009-10-25T21:19:00.000+02:002009-10-25T21:19:10.329+02:00C.Wolff, W.Emery, P.Wolliny, U.Leisinger, S.Roe. BACH'S FAMILYThe article from NGDMM.
Format Word doc, 285pp.
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Fughettahttp://www.blogger.com/profile/08930347538254743027noreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-46845117404657799822009-10-24T19:32:00.002+03:002010-08-01T17:15:57.424+03:00Alfred Dürr, Richard D. P. Jones. The Cantatas of J. S. Bach: With Their Librettos in German-English Parallel Text
Oxford University Press, 2006. - 967 pp.
A work-by-work commentary on the Bach cantatas by one of the world's most famous Bach scholars, now available in English and in paperback for the first time. It includes all the cantata libretti in German-English parallel text. An indispensable reference book for anyone listening to, performing, or studying any of the Bach cantatas.
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Fughettahttp://www.blogger.com/profile/08930347538254743027noreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-381001503604442992009-10-24T19:11:00.001+03:002009-10-24T19:13:09.453+03:00Charles Sanford Terry. Bach’s Chorals (3 volumes)
Cambridge University Press, 1915-1921
A three volume work on Bach’s Chorals with detailed commentary, melodies, translations, and analysis of these great pieces of music. Vol. 1 contains The Hymns and Hymn Melodies of the “Passions” and Oratorios; vol. 2 contains The Hymns and Hymn Melodies of the Cantatas and Motetts; vol. 3 contains The Hymns and Hymn Melodies of the Organ Works
Volume 1. Fughettahttp://www.blogger.com/profile/08930347538254743027noreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-79684652867644412252009-10-23T15:16:00.000+03:002009-10-23T15:16:37.426+03:00Alfred Schnittke. Improvisation and Fugue for Piano, Op. 38
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Fughettahttp://www.blogger.com/profile/08930347538254743027noreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-69632848303765167622009-10-21T23:21:00.001+03:002009-10-23T15:36:22.646+03:00Walter Piston. Counterpoint
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Fughettahttp://www.blogger.com/profile/08930347538254743027noreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-46469064074524213042009-10-21T23:15:00.001+03:002009-10-21T23:17:38.014+03:00Walter Piston. Harmony
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Fughettahttp://www.blogger.com/profile/08930347538254743027noreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-7780240748218139022009-10-21T23:04:00.002+03:002009-10-25T21:28:44.267+02:00Dmitri Shostakovich. 24 Preludes and Fugues for Piano, Op. 87 / Д. Шостакович. 24 прелюдии и фуги для ф-но, ор.87
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Fughettahttp://www.blogger.com/profile/08930347538254743027noreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-37527949448558706012009-10-21T22:47:00.000+03:002009-10-21T22:47:46.245+03:00György Ligeti. Hamburg Concerto
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Fughettahttp://www.blogger.com/profile/08930347538254743027noreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-58964305970104328502009-10-20T17:40:00.000+03:002009-10-20T17:40:38.169+03:00Choral masterworks: a listener's guide
Oxford University Press US, 2005. - 321pp.
Here are more than fifty illuminating essays on the classic choral masterworks, ranging from Handel's Messiah, Bach's Mass in B Minor, and Beethoven's Missa Solemnis, to works by Haydn, Brahms, Mendelssohn, and many others. Steinberg spans the entire history of classical music, from such giants of the Romantic era as Verdi and Berlioz, to leading Fughettahttp://www.blogger.com/profile/08930347538254743027noreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-7474290253289113392009-10-20T17:25:00.002+03:002009-10-20T17:43:54.123+03:00Шабалина. Хронограф жизни и творчества Иоганна Себастьяна Баха
Спб.,1997.- 76с.
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Fughettahttp://www.blogger.com/profile/08930347538254743027noreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-36727077447092717892009-10-20T17:19:00.000+03:002009-10-20T17:19:50.136+03:00Ханс-Йоахим Шульце. Документы жизни и деятельности И. С. Баха
Пер. с немецкого В.Ерохина
М.:Музыка, 1980. - 272с.
Перевод изданного в Лейпциге краткого извлечения из трехтомного академического издания всех имеющих отношение к И.С.Баху рукописных и печатных текстов 1685–1800 годов.
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..Fughettahttp://www.blogger.com/profile/08930347538254743027noreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-46802190580164968642009-10-19T13:37:00.000+03:002009-10-19T13:37:58.610+03:00B. Andrew Mills. Psallite Sapienter: A Musician's Practical Guide to the 1962 Missal
This book addresses a critical need in today's Catholic Church. In one volume, the author provides a comprehensive, authoritative, and easy-to-understand guide to providing music for the Extraordinary Form of the Roman Rite.
It covers the types of sung Masses and and what is required of the organist and choir, and the expectations and needs of the full liturgical year, plus weddings, funerals,Fughettahttp://www.blogger.com/profile/08930347538254743027noreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-55307327816743236932009-10-19T13:29:00.000+03:002009-10-19T13:29:17.103+03:00European music, 1520-1640
Studies in Medieval and Renaissance Music 5. Rochester, NY: Boydell & Brewer, Inc., 2006. - 576 pp.
ed. by James Haar
The thirty chapters of this book, contributed by established scholars on subjects within their fields of expertise, deal with polyphonic music - sacred and secular, vocal and instrumental - during this period. The volume offers chronological surveys of national musical Fughettahttp://www.blogger.com/profile/08930347538254743027noreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-78234357972002444182009-10-18T11:19:00.001+03:002009-10-18T11:23:42.712+03:00Joseph P. Swain. Historical Dictionary of Sacred Music
Series: Historical Dictionaries of Literature and the Arts #13
336 p.
The Historical Dictionary of Sacred Music covers the most important aspects of the sacred music of Buddhism, Christianity, Confucianism, Hinduism, Islam, Judaism, and other smaller religious groups. It provides useful information on all the significant traditions of this music through the use of a chronology, an introductory Fughettahttp://www.blogger.com/profile/08930347538254743027noreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-59410766634079009122009-10-18T11:07:00.000+03:002009-10-18T11:07:00.449+03:00Sergio Paganelli. Musical instruments from the Renaissance to the 19th century
translated from the Italian by Anthony Rhodes
Feltham, Middlesex : Hamlyn, 1970. -157 p.
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Fughettahttp://www.blogger.com/profile/08930347538254743027noreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-35667410045768534882009-10-12T13:50:00.001+03:002010-09-11T21:00:46.093+03:00Э.Бодки. Интерпретация клавирных произведений И.С.БахаМ.:Музыка, 1989. - 388с.DOWNLOAD 20Mb (формат djvu)Fughettahttp://www.blogger.com/profile/08930347538254743027noreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-3757804805983729092009-10-12T13:19:00.000+03:002009-10-12T13:19:54.605+03:00Н. Арнонкур. Музыка языком звуков: путь к новому пониманию музыки
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Fughettahttp://www.blogger.com/profile/08930347538254743027noreply@blogger.com1tag:blogger.com,1999:blog-2536268609227009418.post-17030547474046888002009-10-12T12:52:00.000+03:002009-10-12T12:52:36.276+03:00Robert L. Marshall / Robin A. Leaver. Chorale_Chorale settingsSeries of articles from NGDMM.
Format Word doc, 55pp.
DOWNLOAD 71KbFughettahttp://www.blogger.com/profile/08930347538254743027noreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-31572997701142631032009-10-12T12:37:00.000+03:002009-10-12T12:37:56.925+03:00Edward Higginbottom. Organ massArticle from NGDMM.
Format Word docx, 10pp.
DOWNLOAD 31KbFughettahttp://www.blogger.com/profile/08930347538254743027noreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-69908793294621253262009-10-12T12:18:00.000+03:002009-10-12T12:18:00.795+03:00Баранова Т. Из истории органной мессы
В сб.: Историко-теоретические вопросы западноевропейской музыки. Труды ГМПИ им. Гнесиных. Вып. 40. — М., 1978. – c.142-163.
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Fughettahttp://www.blogger.com/profile/08930347538254743027noreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-38223418657958421542009-10-12T11:47:00.001+03:002010-09-11T21:09:21.634+03:00С.Богатырёв. Обратимый контрапунктМосква, 1960. - 183с.DOWNLOAD 42MbFughettahttp://www.blogger.com/profile/08930347538254743027noreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-37881048522721561792009-10-12T11:37:00.002+03:002010-09-11T21:04:11.235+03:00А.Милка. "Музыкальное приношение" И.С.Баха: К реконструкции и интерпретации
Москва: Музыка, 1999. - 264с.
DOWNLOAD 12MbFughettahttp://www.blogger.com/profile/08930347538254743027noreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-91218512271338999682009-10-12T11:30:00.002+03:002009-10-26T13:15:01.541+02:00С. Слонимский. 24 прелюдии и фуги для ф-но / Slonimsky S. 24 preludes and fugues for piano
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Fughettahttp://www.blogger.com/profile/08930347538254743027noreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-9071962462767573252009-09-17T10:00:00.001+03:002009-09-18T21:43:44.298+03:00Friedrich Wilhelm Zachow. Fugues, fantasia, capriccio
D.D.T.XXI. XXII, 14p.
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Fughettahttp://www.blogger.com/profile/08930347538254743027noreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-78087181278967226722009-09-17T09:58:00.000+03:002009-09-17T09:58:19.582+03:00Johann Sebastian Bach. Organ Chorales from the Neumeister Collection1st Edition, ed.by Christoph Wolff,1985 by Yale University, 77p.DOWNLOAD 8,4MbFughettahttp://www.blogger.com/profile/08930347538254743027noreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-24240465740618198222009-09-15T14:21:00.001+03:002010-09-11T20:58:04.984+03:00Г. Конюс. Курс контрапункта строгого письма в ладахМосква. - 1930. - 80с.DOWNLOAD 4,6MbFughettahttp://www.blogger.com/profile/08930347538254743027noreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-69870217429328017132009-09-15T14:16:00.002+03:002010-11-25T15:01:35.807+02:00Л.Бусслер. Строгий стиль: Учебник простого и сложного контрапункта, имитации, фуги и канона в церковных ладахПеревод С.И.Танеева.- 3-е изд. - М.- 1925. - 191с.DOWNLOAD 42MbFughettahttp://www.blogger.com/profile/08930347538254743027noreply@blogger.com3tag:blogger.com,1999:blog-2536268609227009418.post-67218111017297978012009-09-15T14:09:00.002+03:002010-09-11T20:59:46.372+03:00Ю.Иогансен. Двух, трёх и 4голосный простой, двойной, тройной и четверной строгий контрапунктЧ.1. Теория. - М.:Юргенсон, 1896.- 108с.
DOWNLOAD 24MbFughettahttp://www.blogger.com/profile/08930347538254743027noreply@blogger.com0tag:blogger.com,1999:blog-2536268609227009418.post-62229817933518946662009-09-14T18:20:00.000+03:002009-09-14T18:20:06.726+03:00Ю.Холопов. Гармонический анализ: Ч.2. Гармония ХХ века(Дебюсси, Скрябин, Стравинский, Прокофьев, Хиндемит, Шостакович, Хачатурян, Барток, Мессиан)М.:Музыка, 2001.-192с.DOWNLOAD 8,9 MbFughettahttp://www.blogger.com/profile/08930347538254743027noreply@blogger.com0